bukaddor & fishbeck return with a brand new vinyl 12 inch on mbf. this release manifests again a side of theirs one has not seen before. truthfully speaking this release has more understatement then you would expect from bukaddor & fishbeck. following their pearl >camino< their new a-side >zippy disco< is based on a deep house groove with chords that will never surface and through that work in the best fashion of detroit and chicago techno and house. we have had some deja-vus listening to this track, so see for yourself if you hear some johnny fiasco or daniel bell creating this coolness and sexiness. and let us tell you, this track is a smasher!

as is generally known, the night is not limited to the time dimension but has also a spatial dimension. the darker the night, the more artificial is the light and the more the even apparently well known places become unreal. patrick pulsinger resorts to such dusk-to-dawn places by using his three excellent tracks of his new release >nocturnalcat<. or to tell it better: he makes us streying.

two herz ist trumpf subtil eps by lulya circus and peter o for one special price - grab your copy before they are gone!

within the context of spirals, elements from the levels take on different meaning and significance. these ancient sources of knowledge combined with scientific and genetic theory, can provide valuable tools that can help us broaden our perspective. spirals are also concerned with correct action. correct action in spiral terms is action that is uniquely suited to the individual and the situation at hand. it places an emphasis on practical tools to guide each individual to correct action for him or herself. it does not tell you what correct action is. it gives you a tool to discover that for yourself: your strategy, based upon your unique design.

düsseldorf born niggemann has enjoyed a constant climbing success in recent years thanks to his precise tech house productions on 8bit,tsuba and supernature.now based in berlin,he arrives on poker flat with this,the first single to be lifted from his imminently arriving album debut. we dont want to tell you too much about the album right now, but if these two tracks are anything to go by,be sure youre in for a treat!dont wait (extended mix) layers niggemans trademark tight, percussive beats as it builds towards a surprising vocal arrival and a killer,positively hung bassline.equally perfect for late night sessions as it will be for the coming spring summer season,basking in the sun,its a versatile and uplifting cut in the true poker flat tradition. on the b side a dubbed out synth voyage unfolds with curious.working snappy drums and airy,wistful fx,niggemann skillfully tells his moody story with passionate charm.swirling synth pads lift before a mid-point break gradually introduces a second theme,cementing the young producers able hand at writing melodies and creating strong,rushing feelings.

big with: deetron, lee curtiss, nick curly, ewan pearson, tobi neumann, luca bacchetti, reboot, ryan crosson, anja schneider, mathias kaden, ben sims, okain, mr. g, marc romboy, paul woolford, gerd

michael kiwanukas debut album is finally available - a longplayer well worth waiting for!

early support by frivolous, dj sneak, adam port, mihai popoviciu & matt star. the first arms & legs release in 2012 comes from daniel steinberg. take some house and a pinch of minimal, add a dash of electronica & put some disco to the top. shake well… enjoy!

sometimes it is difficult to tell the journey of an artist such as flash grab road. initially, it is the story of a struggling taxi driver from marseille who made electronic music in his spare time. one day, tired with life he decided to throw away everything and live for his new passion, texas holden poker.

mono recordings is proud to present the 1st 4 tracker vinyl ep of bunte bummler. after their outstanding >you re mine< ep which appeared on 8bit last summer the dynamic duo strikes again.
supported by: nick curly, robert dietz, reyou, ray okpara, gorge, felix neumann, sasch bbc, sebastian lutz, helmut dubnitzky, steffen baumann, steffen deux ...

funky and laid back jazz constructed house tracks with spacy dimension by dewalta. we are very happy to release such a fantastic long player which keeps alive our dear paris-berlin connection and our taste for subtle melange between jazz and house music. both tracks malbec and syrah will bring you far on the dancefloor like a good wine does with its fine and deep flavours of fruits and whatever it can tell about the history of its ground. david koch under his artist name dewalta persuades first on the a side with malbec. a dry clap introduces to the affair, short followed by a kick and a driving funky deep baseline which could be far enough to convince any dj fan of minimal hypnotic loops. having set up that strong base, he plays then carefully some light but brillant layers of jazzy arrangements. santé! syrah, follows up in a more trippy way performing a jazzy and elegant journey which destination is certainly somewhere in the cosmos. mastered and cutted by mike grinser at the berlin studio man made mastering.

in recent years, there has been a lot of exciting stuff happening in the russian house scene. established names, but also, a string of new talent have been making waves upon waves with some of the deepest tunes around. one of the prime examples of this are the productions of the progressive and talented producer kirill tipo. a saint petersburg native whos set to make his vinyl debut on our third release with a 3 track ace compilation entitled >believe in rhythm<

typically commissioned to extend the life of a hot-selling single, culprit bucks the trend by delivering a remix package of gavin herlihy’s ‘endless feeling’ immediately after the ep release – a testament to the label’s faith in gavins work and the richness of its sound.

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

art department are back on the mothership crosstown to kick off 2012 in lurid style with a slice of slow burning, chugging disco-tech and pendulum beats in new single >touch you gently<. the b-side is taken care of with a powerful brenann green rework of >tell me why<, from the much lauded album >the drawing board<.

> music is being passed, inhaled, and expelled into nothingness. in order to fight the nonexistence of music we need to get those round plastic archives back into our hand< as you understood those archives are vinyls…the only way to keep the music alive in our head and soul through our hands, as ricardo said…and you know how much we care about that! miranda first ep on bosconi will be probably one of his last on any other label before he starts his brand new imprint. after releasing on some of the most respected techno/house label of the globe, as neroli, rush hour and reincarnation, rm doesn&#700,,t need further introductions…so we&#700,,ll quickly tell you that here you get a three tracker of pure raw analogue pleasure and proper dancefloor goodness including the bouncy acid house groover >state of mind<, the dry, nasty and minimilastic chicago rooted drum tool track called > drum with the funk<, and in the end the peaceful, dreamy and atmospheric trip of > no sound<….all the necessary ingredients for you to not leave this record out of your bag! vinyl will save our soul

token is 5 years old. i never planned to do anything special for this occasion. however, when i received these 2 new tracks from phase, all just fell into place. this release pretty much sums up what token stands for since day one. both tracks are fierce pieces of relentless yet deep techno, in-your-face yet very subtle rhythms, all credited to phases detailed drum programming, keen sense of atmospherics & sound processing.
what else.. except for the fact we flipped the graphic design a bit, we can tell you 2012 is going to be a busy year for token. there is a lot of exciting music floating around we definitely want to share with you soon, not just the usual suspects but also some new signings.
keep your ears peeled.

gavin herlihy is a producer hitting his stride, an artist who has been stealthily gathering heat for some time. his previous productions have graced the likes of cadenza, get physical, cocoon and leftroom – impressive stuff indeed for the young irishman who now calls leeds home. as a producer hes entering his most prolific and productive period to date, and on the back of this ep for culprit, 2012 looks set to be his break-out year.

theshining are morgan zarate and acyde, a produc-tion/dj duo who decided to put the sum of their mu-sicianship and influences together. the result is hip-hop influenced beats, with sound-system inspired vo-cals, the sound of after hours, dark clubs and the morning after. heyyou is their first single, a glorious flash of psy-che style keys and hard hip-hop drums, with the un-forgettable chorus hey you…know you think youre a star, a much needed call to arms to stop posing and hit the dance-floor. tell me (im wrong) continues where heyyou lea-ves off, a glimpse into their dark side, with a stom-ping rhythm backed by a triumphant horn section: like a conversation between rick rubin & fela kuti

raw handmade branded artwork... never seen before on the vinyl cover ... next longplayer on knowone - again strictly limited copies ... 3x12inch with finest pure detroit techno-house by a well known but unknown artist, each track got one side to tell his own story. special handmade artwork ... be fast! only 1 copy per customer!! / nur 1 vinyl pro kunde möglich !!!

nice price deal !!! ahoy ostseeeule dennis reich. the days are getting shorter. he was now the summer of 2011. what remains is the hope of a golden autumn. the dennis has brought him to us, the golden autumn in all its facets. it has caught the fever, the baltic sea fever. since he gets the freedom for creativity and outs of everyday life. now, yes now that the days are getting shorter again, we have had the time to finally rest the soul. the titles tell of the longing for the sea. time on the waves billow, now the sea is very gentle. we are again at one with nature and music.dennis has taken up all his feelings and emotions in these two titles, and takes us on a journey, a journey to the sea. he is not alone. on his journey he meets sven tasnadi, what else one finds on poker flat and cocoon and the emotional feelings picks up and tells ist own story. but what is that, yes there are more shadows seen. the kollektiv ost and even have what to tell...

stiff little spinners eine sagenumwobende neue compilationreihe auf audiolith in sachen techno. ja audiolith bringt auch techno oder wie das heißt raus, obwohl persönlich lars lewerenz keine ahnung davon hat, aber das vertrauen in menschen wie gimmix, krink, kalipo, mendoza und rampue. das sind übrigens nicht ihre richtigen namen die heißen wirklich so und wurden von audiolith direkt aus pikachuhausen importiert. ganz feine bande die jungs. hand drauf und ins feuer gelegt dafür!

remastered and limited re-issue of this ambient masterpiece by biosphere.

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!

we cant tell how far we have arrived until we can see how far we have really traveled.

moods is a playground that gives you out of the (sand)box tracks as well as a swing for new artists to fly. it is about inspiration & experimentation – good music to lift your mood, delivered on pure white vinyl.

studio one women is the latest in the series of studio one compilations released by soul jazz records. ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they are all here from the queens of the jamaican music scene. studio one women features a wide mix of classics and obscurities from the finest female voices in reggae. until now most of these tracks have only ever been available as extremely hard to find jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they d cost you a small fortune! marcia griffiths and rita marley (here with her first group the soulettes) are two of jamaicas most famous female singers hugely popular today. both these artists became internationally famous as the i – threes (along with judy mowatt), bob marleys backing singers alongside the wailers. also featured are hortense ellis, sister of alton who cut many smash hit on the island and jennifer lara, a lady who had a long career with studio one, singing on countless sides until she sadly passed away earlier this year. studio one is the greatest label in the history of reggae and is the foundation of all reggae music. it is where virtually every world renowned jamaican superstar started out, bob marley and the wailers included. under the guidance of the legendary clement >coxsone< dodd the musicians at studio one recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in jamaica today.

as music lovers we draw the greatest inspiration and pleasure when hearing compositions that tell a good story. bon voyage is one such example. rising from the ashes of the highly sought after les aeroplanes whose >impersonal naviguant ep< for mathematics was a sure-fire hit.
this vibrant parisian outfit has delved deep into a rich sonic landscape and evolved a musical score which is incomparable to most of todays computer generated music. bon voyage cross genres as musicians, they carve out the sweetest melodies and allow the nectar to flow with an assortment of italian strings, american filters and japanese oscillators.

don’t be fooled, for a second. “this is a sad, sad song / for all you sad, sad people,” announces ganglians’ creative core and lead singer ryan grubbs at the outset of the sacramento-based band’s second lp, still living. the guitars, strummed with sun- rays, and the percussion, sprightly with springtime enthusiasm, tell a different tale.

polluted records imprint of sinan kaya release, polluted015, is having a great support worldwide. the istanbul based producer what does best is to consistently release forward-thinking and interesting electronic music the treatment of vocals and synthesis, over-loud snares or brutal use of eq, rides over formulas without forgetting the dance floor. funk and pure house music sound is one of the influences on all the 6 tracks with the mid-tempo drawl flowing through the project. playful grooves and natural soundscape evolves through this ep for full 12 inch release with a celebration of classic guitars and deep synth melodies beautifully layered on deep house infection with solid drum programming and groovy base lines. it all flows like a come back of old skool deep house for today current sound request on the dance floor.

chicago legend robert owens teams up with tevo howard!?! words from tevo: >i had the opportunity to correspond with the great robert owens some time last year, and we were able to shed light on a project together. i cannot tell how much of an honor it is to work with such a great predecessor, and to continue the tradition of the celebration of chicago house music. here, we have featured 2 moody original versions, and 2 exciting remixes. together they comprise a 4 track single. robert and i hope that youll join this celebration.< t.h.

the mysterious rod enterns the balans arena with an uncompromising, abstract techno affair. little can we tell you about this mysterious character. only that a famous dj from rodterdam is behind this alter ego and that he did a very well received ep on ben klocks klockworks earlier this year.
the music coming from this persona is one hundred percent puristic, stripped down, dj tool techno. with a capital t you have seen that right! no nonsense hypnotism as we rarely see it nowadays. three or four sounds per track, each pushed and stretched inside out for maximum result. these tunes are made for dark, strobe lid cellars or underground techno temples such as berghain.
techno is back and this is about as abstract and underground as it gets. we look forward to release more rod records in the future.

let the show begin, this is the first episode for marc poppckes new baby crossfrontier audio. time to clean your musical mind, here we go… from house to trance, next to techno and back to house again. for sure this is no space for hand-me-down standards.
a1 – marc poppcke & max von valentiner – never go backimagine berlin, imagine sunrise, imagine the party you left some minutes ago… haha, i know what’s on your mind. and no, i don’t mean those cute summer open air venues your tourist guide talks about. it’s november and the berlin summer has gone. it’s cold, it’s foggy, the shafts of sunlight have to find their way… and yes, it’s fucking beautiful and so is the track.
a2 – lake people – tellap tacleipzig is calling. well known for his debut on kollektiv turmstrasses musik gewinnt freunde lake people impresses with his minimalistic trademark sound that dares to be melodic as well. great stuff for prime times and big rooms but keep away from pyro shows.
b1 – salvatore freda - invictionafter numerous great and ingenious releases on cadenza, liebe*detail, freerange and others, salvatore continues with another effective lesson in hypnosis and self-awareness. dont ask, dont tell, just see for yourself!
b2 – frieder blume – we play for love - frieder sounds like those worldly-wise professionals that definitely know there business. but in fact its his first track on vinyl and we all can imagine what this guy will sound like in a few years. we play for love builds and builds and builds and culminates in a climax… bam! rewind please…

1st sampler from >souls back again< compilation

new year deal - purveyors of maximal minimalism in bass music, crushington explore the mid-tempo soundworld of dubstep. inspired to step outside of their box by a face-melting new years eve performance from skream and benga, for the last two years, crushington have sonically sculpted their own, well-received take on dubstep. lacking a developed knowledge of the genre, their unaffected explorations into different tempos and grooves have caught ears everywhere, leading to dj support from n-type, jakes, emalkay, distance, seven, truth, bulletproof, datsick, excision, hatcha and headhunter. along the way, they have collaborated with, or remixed for black sun empire, spl, truth, optimus gryme and bulletproof. with high profile support and collaborations boiling over left right and centre and several boutique vinyl releases to their credit, dj bookings across new zealand and australia have come quickly and to lauded receptions. old school producers and djs from the era of vinyl and by ear engineering, their sonic fidelity has seen their crushington tunes described by the likes of antiserum as the perfect studio mixdown reference. to put it in simpler terms, crushingtons subwoofer rupturing arrangements are fast becoming a standard setter with in the international dubstep community, where things go next from here though, only time will tell.

the second single of varieté by aka aka & thalstroem is a cooperation with umami who tell you what really matters in your life! on a2 hanne&lore reinterpreted the track with their distinctive minimal style, broombeck boosted it to the maximum on b1 and philip bader drifts away in endless after hours on b2

2017 repress, this album shows chicagos chess records at its height in the 1960s. artists include howlin wolf, bo diddley, etta james, the stereos, the soulful strings, ramsey lewis, eve barnum, & more. 20 tracks

what?!? what?!? what?!? whats going on? the great new publication from beatamines (damm rec. , mbf) >what?!?<. oh yes, i tell you, there are 3 really fat parts on it. the original by betamines kicks your ass, the steve lischinsky remix kicking your feet and andy kohlmann (lordag, zylinder) guitar airs and graces kicks your brain. thats a good precondition for the 4th publication on mimique.

fantastic air - album... special backstock action

dachshund is a living example of a musician who doesnt take himself too seriously: his lively productions, where his passion for experimentation in rhythm and sound are clearly evident, stand out as a welcome departure from the sterile work of so many other heads in the scene. besides humor, an easy-going jamaican feeling characterizes his sets and tracks: the swiss dj, producer and label owner has his musical roots in reggae, which he has followed all the way to the sunny caribbean. no wonder then, that we can hear the dub influence in his current musical output. true to form, dachshund presents his latest release on the berlin record label, highgrade records, where the beats will blister through the speakers in unexpected combinations and grooves. around every corner there seems to lurk a new mad idea or sound sequence from dachshund, who leads his listeners equally as he misleads them on the dancefloor. with a sly musical wink, he offers us three tracks >shall we<, >soul free< and >tell me< produced with sophistication and elegance. these tunes switch almost imperceptibly into a grooving mind-trip that perfectly fits the title of the ep. this is the equivalent of a relaxing invitation to dance: >shall we<? … but, of course!

collaborating in art, music and science since 1999, recently founding the label magazine and the collective cologne tape, this is nevertheless the first time barnt, crato and jens- uwe beyer appear together as one formation, simply called magazine. if you combine their recent releases - barnts stunning debut ep >what is a number, that a man may know it?<, cratos acclaimed and mysterious >30.6.1881<, j-u beyers incredible sound work on his highly respected last album (with jaki liebezeits drums off chaos) and add the cologne tape recordings you can get an idea of the formations cosmos — but you are not quite there ...

the second instalment for melbourne deepcast records sees andy hart teaming up with francis inferno orchestra to provide a heavy hitting club jam in >d2me<. on the flip we see them each doing their own thing to round off the ep. three track ep from melbournes andy hart and francis inferno orchestra. two solo jams and one heavy hitting club number. melbourne deepcast has been flying the flag for the underground house movement in melbourne and the wider dance community since its birth in 2009. with a podcast thats quickly become one of the go-to places on the interweb for your fix of carefully selected deep house, techno and disco, theres but a few ears they havent reached. casting the net even deeper, a label is born, providing a platform for the ever-growing number of talent rich producers the city has provided a home for.

***vinyl only*** some of you might know nycs marcos cabral from his work as half the duo runaway. together with jacques renault, runaway has stacked up a slew of releases and remixes over the past few years. the labels theyve worked for include, dfa, rekids, wurst music co, chinatown, im a cliche, crue-l, mule, endless flight, need want, fina, solar disco, aus, under the shade, plant music, turntable lab, spectral, playout, permanent vacation, nervous, ohm, tartelet, and their very own label on the prowl. their resume is very telling of their musical abilities. this year, marcos has decided to push the envelope even further and create something a bit more personally reflective…his new label hamilton dance records. just as the label artwork foreshadows, the presentation becomes blurred. edits, originals, creative sampling, its all lumped together with a certain vision. special dance-floor tools being the most obvious

classic disco cuts

supported by: dubfire, nic fanciulli, audiofly, gregor tresher, martin eyerer, karotte, anthiny collins, julietta, tiefschwarz, meat, andrew grant, paco osuna, nick curly, robert dietz, martinez, enzo siragusa, federico molinari, jose belo, jose maria ramon, julien chaptal, arado, raresh, kabale und liebe, martin landsky, simon flower, dj t, dj w!ld, anja schneider, slam, ralph kollmann.

trio techno cover, it was just a question of time to reach the point when wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. he still suffers from too much so called >minimal< in his eyes and he wants back the energy he is missing on many occasions… >you know, techno without bass is like f…… without screwing him in…< some might say he s too late with this song, but thats simply wayne! in his universe the meaning of time is different to what we all would expect. anyway, he finally checked out garage band on the mac he recently >lended< from somebody he does not even know, and here we go with his first very own song. lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation >trio<, but to make a long story short: its waynes message that the so called minimal sound is definitely over now: >always klick and always klack, i can not tell how much it sucks...<

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

10 releases strong, poker flat digital has become an important wing of steve bugs acclaimed, cutting-edge label. determined to keep quality levels as high as ever and offer yet more choice to the labels fans, a heavyweight cast starred in this latest chapter of the poker flat story. this special 12 inch release gathers 4 of the highlights from the labels catalogue so far.